On Advertising, Art, and Açaí Bowls

Timothée Chalamet’s latest feature film, Marty Supreme, garnered plenty of media attention for its incredibly extravagant press tour, marked by bright orange blimps polluting the Los Angeles skyline and a vibrantly ostentatious verse on EsDeeKid’s remix of “4 Raws”.  Chalamet’s press tour, though exorbitant, is part of a new wave of marketing that has gripped […]